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DTSTART;TZID=Europe/Berlin:20250421T100000
DTEND;TZID=Europe/Berlin:20250421T130000
DTSTAMP:20260407T170740
CREATED:20250416T131914Z
LAST-MODIFIED:20250416T132432Z
UID:15355-1745229600-1745240400@clockworkbanana.com
SUMMARY:The Art of Action on Stage
DESCRIPTION:Mechanical and Physical Action: What’s the Difference?\nDate: 21-25 April 2025\nLocation: DOCK 11 EDEN\, Breite Str 43\, 13187 Berlin (Pankow)\nCertificate: available\nFor professionals:\nDancers and choreographers\nCircus performers\nActors and directors\nKey areas of exploration include:\nTheatre Biomechanics by Vsevolod Meyerhold\nPsychological Gesture by M. Chekhov\nPhysical Action by K. Stanislavski\nTraining through improvisation\, movement dramaturgy\, and scene composition\nThe Ostrenko Method offers groundbreaking approaches that blend physical training with psychological insights\, enabling performers to achieve deeper expressions.\nThrough hands-on techniques and improvisational exercises\, you’ll be able to master movement\, body angles\, and character alignment. This masterclass is perfect for professionals seeking to blend movement with acting and improve dialogue delivery in dance.\nAt NIPAI\, we create a warm learning environment to explore hands-on new techniques and collaborate with other performers from all over the world.\nReview of Studying at NIPAI:\n\nDetails of the International Workshop in Berlin:\nhttps://www.physicalityinacting.com/the-art-of-action-on-stage\nApplication Form:\nhttps://www.physicalityinacting.com/the-art-of-action-on-stage/step1/step2\nContact:\nOfficial Website: www.nipai.org\nFacebook: facebook.com/nipai.org\nInstagram: instagram.com/nipai_org\nEmail: info@nipai.org\nCheck your eligibility for participation! You deserve a good education.\nhttps://www.facebook.com/events/965265502041989/
URL:https://clockworkbanana.com/event/the-art-of-action-on-stage-2/
LOCATION:Breite Straße 43\, 13187 Berlin\, Deutschland
CATEGORIES:Art,Theatre
ATTACH;FMTTYPE=image/jpeg:https://clockworkbanana.com/wp-content/uploads/2025/04/476643309_944295147686822_7187134733751569143_n.jpg
ORGANIZER;CN="New International Performing Arts Institute":MAILTO:noreply@facebookmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20250327T200000
DTEND;TZID=Europe/Berlin:20250327T230000
DTSTAMP:20260407T170740
CREATED:20250311T124754Z
LAST-MODIFIED:20250311T125314Z
UID:14758-1743105600-1743116400@clockworkbanana.com
SUMMARY:S U B M U S I K no10 - textSOUNDmovement
DESCRIPTION:first an IMPORTANT note !\nSUBMUSIK starts at 8pm [ 20:00 ] sharp.\nSo come on time\, preferably a little earlier . . .\nafter SUBMUSIK has started\, there is no more admission to the Acud Theater ! In the past\, this was frustrating for all those who came too late .\n_______\nSUBMUSIC #10\ntextSOUNDmovement\nSince 2020 p o e s i . f y s i k . invites performing artist friends for unpredictable stage events that they call SUBMUSIK.\nThe Submusik series focuses on a seemingly natural collage of text\, action/movement\, installation and sound art.\nduration : 80 minutes\nSUBMUSIK #10\nis a long one-piece experiment in the field of\nnoisy sound action – movement – poetry – sound installation – object & body sound – electronic & fiedrecording.\nwith\nAlexandra Macia – electronics\, sampled field recordings\, electromagnetism\nSamin Son – vocal sounds\, movements\, body expression\nHåkan Jonsson – voice\, text\nU Moellhusen – expansive electro-acoustic actions\, objects/installations\nand tba [ will be updated soon ]\n_______\nThis time p o e s i . f y s i k . is represented exclusively by Uwe Moellhusen.\nHe is a visual\, sound\, action and performance artist\, composer and besides organizer of exhibitions\, events and performance festivals.\nHis origins include destructive art and art sabotage.\nHe is currently working on the interrelation of cognition – action – sound\, or physical action as a compositional impulse for a sound event.\nHe performs exclusively with misappropriated objects found on the street and calls it “poor music”. Whatever falls into his hands becomes material\, raw material\, free from its usual purpose.\nIgnoring the techniques of conventional playing styles and musical disciplines\, he finds and invents a music without boundaries. It is an escape from the prison of repetition into the vastness of irregularity and dirt. The impulse that emanates from the unexpected is his stimulus.\nhttps://elektroakustischegarage.bandcamp.com/music\n_______\nAlexandra Maciá\nis a Spanish artist based in Berlin\, known for her audiovisual work that challenges conventions. She explores the interaction between sound\, image\, and space\, questioning media manipulation and the fragility of multimedia.\nHer experimental approach blends analog and digital techniques\, creating psycho-audiovisual landscapes inspired by DIY principles. Using electromagnetic frequencies\, field recordings\, modular synths\, vintage video processors\, and modified hardware\, she crafts immersive soundscapes through live performances\, audiovisual pieces\, and installations.\nhttps://www.youtube.com/@AlexandraMaci%C3%A1-f3y/videos\n_______\nHåkan Jonsson\nis an electroacoustic tinkerer and field recordist from Sweden\, often doing performance rituals with Annsofie Jonsson as Hugsten.\n_______\nSamin Son\nfrom Seoul \, lives in Berlin for many years. He is a poet\, sound poet\, dancer\, singer\, painter\, musician and DJ. In his performance he naturally combines physical movement \, poetry\, singing and extreme vocal sounds. His performance never seems artificial or contrived. It is direct action\, a direct expression of psyche and existence. . . an organic flow of oscillating intensities in which Asian tradition and Western neo-avant-garde become one.\n2 live documents; \,\nhttps://www.youtube.com/watch?v=-24i24nkQG4\nhttps://elektroakustischegarage.bandcamp.com/album/gestures\n_______\nACUD THEATER\nVeteranenstrasse 21\n10119 Berlin\nhttps://www.acud-theater.de/programm/5594-submusik-10.html \n_______\nhttps://www.facebook.com/events/990605613165928/
URL:https://clockworkbanana.com/event/s-u-b-m-u-s-i-k-no10-textsoundmovement-2/
LOCATION:ACUD Theater
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://clockworkbanana.com/wp-content/uploads/2025/03/482027623_24105370369063033_5964627938052819983_n.jpg
ORGANIZER;CN="Uwe Moellhusen":MAILTO:noreply@facebookmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240619T190000
DTEND;TZID=Europe/Berlin:20240619T220000
DTSTAMP:20260407T170740
CREATED:20240617T222713Z
LAST-MODIFIED:20240617T223052Z
UID:11387-1718823600-1718834400@clockworkbanana.com
SUMMARY:Paul Higham: 50 Years An Oak Tree  •  Installation / Performance
DESCRIPTION:Paul Higham\n50 YEARS AN OAK TREE\nInstallation / Performance\n19.06.\nPerformance: Mi 19.06.2024\nEinlass: 19:00 Uhr / Performance: 20:00 Uhr\ndeutsch weiter unten \nA reprise of the performance that Higham was invited to produce for Michael Craig-Martin’s initial unveiling of “An Oak Tree” at Goldsmiths\, London\, 1973. Higham’s simultaneous performance generated real time synthesis of sound and video feedback manipulation as well as aeolian vocoder cut-up sequences.\n“Westerlies the Krib\,\nRocks\, Sand and Glass\,\nMariners in the Old sailing outfits\,\nScribbling and crossing this belt for detection.” \nThe performance explores layers of translation\, corruption\, compression\, encryption\, and retrieval. Accompanied in the gallery by an installation of vacuum formed plastic sculpture from ‘73 and early works on paper alongside recent digital sculptures\, and prints.\nAttendees in 1973 included: Michael Craig-Martin\, John Thompson\, Richard Wentworth\, Tim Head\, Carl Plackman\, Nick de Ville\, Steve Joule\, Bert Irvin\, Basil Beattie. \nPaul Higham (*1954 Edinburgh\, Lives New York/Pittsburgh\, USA) is considered a pioneer of early computer sculpture combining conceptual paradigms with computational technology in his art for over 30 years. In the early 70’s he studied Sculpture at Goldsmiths College of Art in London under the direct mentorship of Carl Plackman; the godfather of Brit Art. With this legacy Higham’s endeavor has remained consistent as such to propagate a new form of conceptual art. In the mid 1990’s he developed several concepts and bodies of work including ‘DataSculpture’\, ‘SpaceSampling’ and ‘AutoTecture’. These seminal ideas offered up at exhibitions\, panels and lectures at ISC Conferences and The Computer Sculpture Forum have now been widely adopted overtime. His recent series of work ‘Thought Forms’ utilizes Real Time Data Acquisition and Brain Machine Interface Technologies. His work has been shown internationally in over 100 exhibitions from China to South Africa\, Australia\, New Zealand\, India\, Turkey\, Senegal\, France\, Czech Republic\, Poland\, Finland\, Germany\, Austria\, England\, Scotland\, Wales and across the USA. He has received several prestigious awards such as the McKnight Fellowship for his VR Opera ‘Metarune Clipper’ in 1996. \nHigham is one of the first in a small group of international artists and academics who advocated the use of rapid prototyping\, cnc and digital technologies in sculpture. He first exhibited interactive VR sculpture and real world rapid prototype sculpture\, also cast in metals in 1995 as seen at the Body Builder Gallery\, Chicago. Also since ’95 he has been a member of Ars Mathematica\, Paris\, France an international organization devoted to promoting digital sculpture founded by Alexander Vitkine and Christian LaVigne. Higham will be featured in the Ars Mathematica book on the history and early pioneers of digital sculpture soon to be published in Europe. \nAs an independent Higham has held several academic teaching and visiting artist positions. He has undertaken many artist residencies and presents his work internationally through exhibitions\, lectures\, and panels at Conferences\, Universities\, Museums\, Galleries and Art Fairs.\nhttps://www.virtualsculpture.org/ \nhttps://www.facebook.com/events/1612398642937527/
URL:https://clockworkbanana.com/event/paul-higham-50-years-an-oak-tree-installation-performance-2/
LOCATION:Zwitschermaschine
CATEGORIES:Art,Bar,Theatre
ATTACH;FMTTYPE=image/jpeg:https://clockworkbanana.com/wp-content/uploads/2024/06/417470752_7039468489487447_60036284709748095_n.jpg
ORGANIZER;CN="Stephan Kruhl":MAILTO:noreply@facebookmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240403T200000
DTEND;TZID=Europe/Berlin:20240404T210000
DTSTAMP:20260407T170740
CREATED:20240321T022115Z
LAST-MODIFIED:20240321T022524Z
UID:10244-1712174400-1712264400@clockworkbanana.com
SUMMARY:Grounded
DESCRIPTION:We are pleased to present “Grounded” for its Berlin premiere at ACUD Theater in April. For two nights at 20:00 you can join this immersive physical-visual theatre piece that reaches toward the depths of the human experience.\nA person is living in a hole. A person who is both everyone and no one. How long have they been living there for? No one knows.\nOne day\, life itself comes for a visit: forgotten memories\, pain\, and beauty reemerge in a game of fragments that shift and settle with a life of their own. Three bodies travel across space and time\, light and darkness\, through landscapes both ordinary and haunting. Like visual poetry\, images unravel as a nonlinear archival journey touching on memory\, forgetfulness\, and the essence of being.\nThis show contains no spoken text.\nTickets : https://www.acud-theater.de/programm/5447-grounded.html \nhttps://www.facebook.com/events/1052892905924453/
URL:https://clockworkbanana.com/event/grounded/
LOCATION:ACUD Theater
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://clockworkbanana.com/wp-content/uploads/2024/03/420098592_10159126644084058_4924489395485662827_n.jpg
ORGANIZER;CN="Ash Willison":MAILTO:noreply@facebookmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240322T200000
DTEND;TZID=Europe/Berlin:20240323T200000
DTSTAMP:20260407T170740
CREATED:20240321T022848Z
LAST-MODIFIED:20240321T023209Z
UID:10257-1711137600-1711224000@clockworkbanana.com
SUMMARY:PASSACAGLIA- Physical Theatre Solo in Berlin
DESCRIPTION:PASSACAGLIA- A Physical Theatre Solo Performance\nFriday 22.03.2024 at 20.00\nSaturday 23.03.2024 at 20.00 \nAddress:\nAckerstadtpalast\nAckerstr. 169/170\n10115 Berlin\nhttps://ackerstadtpalast.de/passacaglia-laura-stefanidis \nPASSACAGLIA means “crossing the street”.\nTragic-comic\, poetic-picturesque and realistic-dreamy stories of human diversity are revealed. A coat is the protagonist of the scene. Countless people have inhabited it; they come and go\, reappear and disappear forever.The coat is the costume and the protagonist in one: the thread that carries all these lives and sets them in motion with poetry\, gestures and colourful landscapes.\nThe coat knows them to the core: An old lady who writes incessantly to her decedent husband\, a workaholic manager who quenches her pain through her work\, a lonely drunk who prefers bad company to total solitude\, a fanatical power-hungry president who celebrates his own glory\, a girl who silently plans her revolution\, and many more.\nPASSACAGLIA is an invitation to be taken into the inner worlds of the passers-by who walk the street beside us.\nA flowing transformative painting of diverse longings\, fears and dreams\, a gentle and unsparing examination of all that we hide in our lives – as if under a coat.\nA Solo Physical Theatre Performance by and with Laura Stefanidis\nConcept\, Direction & Performance: Laura Stefanidis\nMentoring & Choreography : Athanasia Kanellopoulou\nMusic: Ermis Tomadakis\nYou can find all further information on this link: https://ackerstadtpalast.de/passacaglia-laura-stefanidis\nhttps://www.facebook.com/events/780567576821886/
URL:https://clockworkbanana.com/event/passacaglia-physical-theatre-solo-in-berlin-2/
LOCATION:Acker Stadt Palast
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://clockworkbanana.com/wp-content/uploads/2024/03/428619375_7379600188728590_20795285605082910_n.jpg
ORGANIZER;CN="Laura Stefanidis":MAILTO:noreply@facebookmail.com
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